Emma Prempeh b. 1996 is a British artist with Ghanaian and Vincentian heritage based in London.

Beginning with an enquiry into home and its shifting meaning across generations, Prempeh’s practice continues to expand toward a wider exploration of the diasporic experience, where belonging is shaped as much by the past as by the circumstances of the present. Her work attends to the subtle and often intangible ways that belonging is formed and connections are continually reconfigured through distance and lived experience. Prempeh is increasingly interested in how personal and inherited histories inform our relationships to places we have left behind, the places we inhabit and the places we may never fully know. She uses layered surfaces and schlag metal, a brass alloy of copper and zinc imitative of gold leaf, in her often large scale paintings. Over time the metal oxidises, producing gradual visual changes that introduce an element of impermanence into the work. She also experiments with projected still and moving imagery, extending her enquiry beyond the painted surface towards more immersive and experiential encounters.

Prempeh completed a BA in Fine Art at Goldsmiths University of London in (2019) and an MA in Painting at the Royal College of Art under the LeverHulme Trust Arts Scholarship in (2022). Select solo exhibitions include: "The Domain of the Stranger", Perrotin, Paris, France (2026); "Wandering Under a Shifting Sun", Tiwani Contemporary, London, UK (2024); "In Presence and Absence", Ordovas Gallery, London, UK (2023); "You were, you are and you always will be", Tiwani Contemporary, Lagos, Nigeria (2022). Select group exhibitions include: "Handpicked: Painting Flowers from 1900 to Today", Kettles Yard, Cambridge, UK (2026); "Conversations", Walker Art gallery, Liverpool, UK (2024).

Prempeh won the Ingram Collection Purchase Prize (2019), the Alumno Space Bursary award (2019) and was a participating artist in Bloomberg New Contemporaries (2019). Prempeh won the Valerie Beston Trust Arts award in (2022).

PRESS


On Her Canvases, Countries Collide

Anakwa Dwamena , New York Times, Sep 05 2026

The Modern Masters of the Family Portrait

Charlotte Jansen , Financial Times, Feb 28 2026

Some Signs Follow: Emma Prempeh’s Solo Exhibition

Ifeoluwa Olutayo , The 49th street, March 22, 2025

Belonging In-Between

Cecilia Monteleone, Muse Magazine, March 13, 2025

‘It’s important because it’s a part of me’

: why a growing number of African diasporic artists are showing work on the continent

Gameli Hamelo, THE ART NEWSPAPER, March 4, 2025

Emma Prempeh wants you to feel what you can’t touch

Izzy Bilkus, PLASTER, January 8, 2025

Royal Mail issues Windrush 75 stamps

Stephen Spark, Soca News, June 24, 2023

Royal Mail issues stamps to mark 75th anniversary of Windrush arrival

Mabel Banfield-Nwachi, The Guardian, June 15, 2023

Lots to Love at Frieze New York 2023

J. Scott Orr, WHITE HOT MAGAZINE, May 19, 2023

The 10 Best Booths At Frieze New York 2023

Arun Kakar and Josie Thaddeus-Johns, Artsy, May 18, 2023

Between Continents, Emma Prempeh Is Making a Home

Chloe Schama, Vogue, May 17, 2023

March Exhibitions at No.9 Cork Street

Frieze, February 27, 2023

Prempeh In You Were, You Are, And You Always Will Be

Gregory Austin Nwakunor, The Guardian, September 11, 2022

Forget the Summer Exhibition — meet the 5 art stars of tomorrow

Waldemar Januszczak, Sunday June 26 2022, The Sunday Times

Emma Prempeh

Also Journal, November 11 2021

Spotlight Emma Prempeh

The wick, Feb 26 2026

Artist's hunt for mystery man who inspired Humber Bridge painting

Sally Fairfax and Charis Scott-Holm, BBC, 12 November 2025