Emma Prempeh b. 1996 is a British artist with Ghanaian and Vincentian heritage based in London.
The starting point to Prempeh’s paintings is the matter of blackness – the tonal properties of the colour establishes the ground to her paintings and a cinematic basis to invoke and project memories of events, people, and places to emphasise an appreciation of ancestral time and relationships, selfhood and transformation. Schlag metal, a brass alloy of copper and zinc imitative of gold leaf, is a material that Prempeh applies to selected areas of her often large-scale paintings. Over time this oxidises creating slow, live visual changes that animate the image and create a meta-narrative around our experiences of the passing of time, memory and its representation. Prempeh occasionally experiments with projected still and moving imagery to create painting installations that invite other experiential and performative encounters with her work.
Prempeh Studied at Goldsmiths University of London graduating in 2019 winning the Alumno/Space bursary award for 2020. She won 1st place for the Ingram Collection Purchase Prize and became a participating artist in Bloomberg New contemporaries 2019. Prempeh attended MA Painting at the Royal College of Art under the LeverHulme Trust Arts Scholarship winning the Valerie Beston Trust Arts award for 2022.
PRESS
Some Signs Follow: Emma Prempeh’s Solo Exhibition
Ifeoluwa Olutayo , The 49th street, March 22, 2025
Belonging In-Between
Cecilia Monteleone, Muse Magazine, March 13, 2025
Emma Prempeh Captures 'Belonging' in Flux at Tiwani Contemporary
Erin Ikeuchi, Hypebeast, March 10, 2025
‘It’s important because it’s a part of me’
: why a growing number of African diasporic artists are showing work on the continent
Gameli Hamelo, THE ART NEWSPAPER, March 4, 2025
‘The Black woman endures a gravity unlike any other’: Pharrell Williams explores diverse interpretations of femininity in Paris
Amy Sarfin, The Wallpaper, February 12, 2025
Emma Prempeh wants you to feel what you can’t touch
Izzy Bilkus, PLASTER, January 8, 2025
Rising Painter Emma Prempeh Explores Identity and Home in Her Domestic Interiors
Tobe Otuogbodor, Artsy, October 8 2024
Conversations: celebrating work by Black British woman and non-binary artists
Walker Art Gallery, September 13, 2024
Allison Glenn’s Top 5 Picks from Frieze Los Angeles Viewing Room 2024
Frieze Los Angeles 26 February 2024
Royal Mail issues Windrush 75 stamps
Stephen Spark, Soca News, June 24, 2023
Royal Mail issues stamps to mark 75th anniversary of Windrush arrival
Mabel Banfield-Nwachi, The Guardian, June 15, 2023
Emma Prempeh, the artist who paints women with a gilt edge
Heni, June 1, 2023
The Artists Trending This May
Artsy, May 26, 2023
Women Artists of Color: A Curated Tour by Terence Trouillot
Frieze, May 21, 2023
Lots to Love at Frieze New York 2023
J. Scott Orr, WHITE HOT MAGAZINE, May 19, 2023
The 10 Best Booths At Frieze New York 2023
Arun Kakar and Josie Thaddeus-Johns, Artsy, May 18, 2023
Between Continents, Emma Prempeh Is Making a Home
Chloe Schama, Vogue, May 17, 2023
Paintings from $10k to $1m at Frieze New York 2023
Frieze, May 11, 2023
Five Emerging Artists Exploring Heritage and Environment at Frieze New York 2023
Frieze, March 24, 2023
March Exhibitions at No.9 Cork Street
Frieze, February 27, 2023
The Boom in West African Art Enlivened Nigeria’s Art X Lagos Fair—But Economic Worries Ran Below the Surface
Jo Lawson-Tancred, Artnet News, November 9, 2022
Prempeh In You Were, You Are, And You Always Will Be
Gregory Austin Nwakunor, The Guardian, September 11, 2022
Forget the Summer Exhibition — meet the 5 art stars of tomorrow
Waldemar Januszczak, Sunday June 26 2022, The Sunday Times
Emma Prempeh
Also Journal, November 11 2021
The Faces of Love debut solo show of British visual artist Emma Prempeh, of Ghanian and Vincentian heritage.
Mark Westall, 12 October 2020, Fad Magazine